We arrived just as the sun rose at the Taj Mahal, and for half an hour were in a long queue (actually two of four queues, as there is one for men, one for women, and one for each of men and women with Indian citizenship). Yolanda's queue was slowest, so Bob and Shanoo waited for her and then everyone proceeded to the main gate together. We both welled up at our first glimpse of the Taj Mahal in the rising sun. It was wonderful to be there together and we passed a very nice morning wandering the grounds and then walking on the terraces and in the mausoleum.
Wednesday, March 1, 2017
India 04
We arrived just as the sun rose at the Taj Mahal, and for half an hour were in a long queue (actually two of four queues, as there is one for men, one for women, and one for each of men and women with Indian citizenship). Yolanda's queue was slowest, so Bob and Shanoo waited for her and then everyone proceeded to the main gate together. We both welled up at our first glimpse of the Taj Mahal in the rising sun. It was wonderful to be there together and we passed a very nice morning wandering the grounds and then walking on the terraces and in the mausoleum.
Tuesday, February 28, 2017
India 03
Today's itinerary included India Gate, the grounds at Parliament, a cooking class with Jyoti Agarwal, and a stop at a bird sanctuary on our evening drive to Agra. This day felt much less exposed and gave us a change to digest the previous day's experiences. India Gate and the Government grounds were relaxed, photogenic stops.
We were a bit ahead of ourselves so arrived a bit early at Jyoti's home. We sat and drank her welcome masala tea and then were invited into the dining room adjacent the kitchen. All was mis-en-place for our lesson and Allain helped facilitate in and out of the kitchen. A two burner stove was set up by a window that opened to a patio with herb plants in pots.
We learned about spice box collections, about dry whole spices and fresh herbs. Jyoti's three pillars of cooking included generational, regional and seasonal influences. Yolanda particularly liked the idea of thinking in terms of generational versus cultural, as generational includes change in culture over time. We learned about cookware, cooking methods, and how and when to add seasonings in the cooking process.
Bob commented on how labour intensive the cooking of "gravy" (what we knew as "curry") can be. Jyoti's is Northern Indian cooking so mustard oil, savory versus sweet, and with wheat based carbohydrates. She also told us about the variations in fat, spicing and carbohydrates in the West and South of Indian. Bob learned how to make chipati dough and Yolanda learned about the importance of using the pressure cooker in so many of the dishes. When we had first arrived, Jyoti gave us a 13 page handout with recipes.
The Okhla Bird Sanctuary was along the Yamuna and Bob again captured a few new birds to add to his quickly growing list for this India trip. We arrived in the dark to Agra, and the night was alive with noise and horns and bedazzling spectacles at the sights of wedding celebrations at venues along the route. Our Agra hotel is again under tight gated security with screening at the front entrance. We were dabbed with bindy and shown our room, which faces the Taj Mahal. However, we needed to wait until morning to see it, as it is not lit at night, except under the full moon, when it glows silver.
Monday, February 27, 2017
India 02
Shanoo brought us to the Yamuna River for some birding. Crossing through a shanty of painted concrete and rescued building materials and stepping around week old puppies and litter, we descended a step-way to the black, slick, debris strewn, burping river. Shanoo negotiated a shared ride in a rowing skiff to cross to an island in the river. We drifted briefly at the mid-point so that our boat mate couple could slip overboard their sun offerings of coconuts, trinkets and milk-soaked rice.
We disembarked on the small sandy island and another couple climbed into the boat and Shanoo exchanged mobile numbers with the boat man. Bob shot stilts and other shore species wading amongst ash and washed-ashore plastic packaging and bits of cloth. Yolanda captured a few shots of ceremonial urns and textiles, now partially covered in drifted sand. Bob went on his own across chunks of styrafoam as stepping spots to a second part of the island just as smoke started wafting downwind from a cremation pier and we then noticed another being constructed. The process takes about 24 hrs Shanoo let us know. From another area of the shanty, a chanting call to prayer started to drift our way. A phone call from Shanoo brought the boat back to the island and Yolanda pulled it to shore, maybe a bit too strongly, as one oar broke in the mud as the boat man tried to dislodge the boat off the shore muck. Loud shouting to another boat man at the far shore resulted in a spare paddle being found eventually on the stone steps. The other boat man poled his boat towards the island through the strong current. Everyone seemed in good spirits about the occurrence and our boat man made no fuss and commented that it was better to have happened at shore than in the flowing river.
With new scents and sights burning into our memory, we rode to the "thieves market" and transferred from the hired car to a bicycle rickshaw, which bumped along to a Jama Masjid mosque overlooking Old Delhi and the markets below. Although Yolanda was dressed in fully concealing clothing, she was told to put on a muumuu at the mosque. Bob and Shanoo went inside and then together we walked down into the Chor Bazaar market area and the teaming life within.
Overhead lines snaked in tangles along and between rolling garage doors at street level. As it was Sunday, only some doors were open, displaying suit and sari fabric bolts and brocade spools or nuts, dates, tea and spices. Sari fabric lengths are minimum 4.5 meter and shirt lengths are two meter. The types of wares seemed to determine the display location, with cookware, produce carts and marigold garlands being temporary street set-ups, wedding accoutrements being inside and seasonings flowing from the inside to the street. Every nook was occupied with some enterprise. Underfoot, the cobbles of the alleyways were dislodged, with open cracks that collected mud and debris from the morning's activity of threading marigolds and trimming fruits and vegetables.
Around one corner was a haunch of mid-age men awaiting someone to collect them for a day of work, each with a bucket of tools of their trade. In the food supply area of one alley, Shanoo ushered us into a spice shop with a knowledgeable man who assisted us choose some spice packs and tea. In front of many of the food stalls were grids of little faces in tictactoes of six to nine squatting men waiting for a patron to pay the food stall owner a little extra to provide their lunch. We stopped for lunch at Karim's and learned about biryani - with non-vegetarian meat cooked in rice, or vegetarian. In the afternoon we visited the National Gallery of Modern Art and Ghandi's Smriti. The modern era in Indian visual art naturally includes influences from European and Asian secular, court, landscape and portrait artists. The works reflected global movements in techniques and materials as well as social, political and economic realities of the past two hundred years in India. Since their 1947 independence from England, Indians, and therefore the themes of Indian visual artists, are nationalistic as well as celebratory. However, heavy themes of internal reflection on population, poverty and disparity are in the most contemporary pieces. Yolanda commented in the last gallery of the main exhibition spaces about how our morning was capsulated in a particular few of the recent sculptural works. There was a detached building with a retrospective collection of multi-media works by Indian artist Jitish Kallat. In stark contrast to the sometimes apocalyptic, massive contemporary art works at the Gallery, was the contemplative walk in the Mahatma Gandhi gardens and house. This was the final living space for Gandhi and where he was assassinated, his smitri. A display in one length of outside concourse documents in text and pictures Gandhi's life's work leading peaceful resistance movements abroad and in India.
Overhead lines snaked in tangles along and between rolling garage doors at street level. As it was Sunday, only some doors were open, displaying suit and sari fabric bolts and brocade spools or nuts, dates, tea and spices. Sari fabric lengths are minimum 4.5 meter and shirt lengths are two meter. The types of wares seemed to determine the display location, with cookware, produce carts and marigold garlands being temporary street set-ups, wedding accoutrements being inside and seasonings flowing from the inside to the street. Every nook was occupied with some enterprise. Underfoot, the cobbles of the alleyways were dislodged, with open cracks that collected mud and debris from the morning's activity of threading marigolds and trimming fruits and vegetables.
Around one corner was a haunch of mid-age men awaiting someone to collect them for a day of work, each with a bucket of tools of their trade. In the food supply area of one alley, Shanoo ushered us into a spice shop with a knowledgeable man who assisted us choose some spice packs and tea. In front of many of the food stalls were grids of little faces in tictactoes of six to nine squatting men waiting for a patron to pay the food stall owner a little extra to provide their lunch. We stopped for lunch at Karim's and learned about biryani - with non-vegetarian meat cooked in rice, or vegetarian. In the afternoon we visited the National Gallery of Modern Art and Ghandi's Smriti. The modern era in Indian visual art naturally includes influences from European and Asian secular, court, landscape and portrait artists. The works reflected global movements in techniques and materials as well as social, political and economic realities of the past two hundred years in India. Since their 1947 independence from England, Indians, and therefore the themes of Indian visual artists, are nationalistic as well as celebratory. However, heavy themes of internal reflection on population, poverty and disparity are in the most contemporary pieces. Yolanda commented in the last gallery of the main exhibition spaces about how our morning was capsulated in a particular few of the recent sculptural works. There was a detached building with a retrospective collection of multi-media works by Indian artist Jitish Kallat. In stark contrast to the sometimes apocalyptic, massive contemporary art works at the Gallery, was the contemplative walk in the Mahatma Gandhi gardens and house. This was the final living space for Gandhi and where he was assassinated, his smitri. A display in one length of outside concourse documents in text and pictures Gandhi's life's work leading peaceful resistance movements abroad and in India.
Sunday, February 26, 2017
India 01b
Our area of Delhi (near the consulates) is very treed. When we drew back our curtains expecting to seen dawn light, the day was in full sun behind the black-out curtains. Staff were tending the pool grounds and deck seating, and a few large-scale hawk-like birds (black kites) were floating past our 6th story window. We made our in-room Sanka and washed and sliced the pear and apple set out for us on the marble table overlooking the property, the tree-concealed roadway and the background canopy, intermittently cut by a light rapid transit line. We made plans to take in the buffet breakfast (not the "very famous cafe nearby") but first checked in with Shanoo to confirm if we needed to meet him beyond the locked gate or in the hotel lobby ("lobby" was the reply). After a curry and omelette "brunch", Yolanda tried out the lifeguard seat and we admired the inside marigold and rose compositions, whose scent wafted towards us as we descended the escalator to the conference level entrance to the chirping gardens.
Our walk netted a few of the songsters (Yo spotting; Bob shooting), including black kites, a trio of rose-ringed parakeets, a canary yellowyish bird, a few skittish red-whiskered bulbuls, and a weensy other pair. Shanoo took us to a step well, a Kashmir carpet outlet, Lutyens restaurant and the Handloom Museum, which Bob had found on-line and which was new to Shanoo.
The step well, Agrasen Ki Baoli, was a previous royal summertime living quarters dug deep into the earth below the water table (now dry due to hydro power diversions above Delhi). In past times the lower levels of stairs were submerged; the deeper levels were exposed but still cool in the hot, dry season. While the carpets were intricate, expertly crafted and beautiful, we were not in the market to buy one nor swayed to enter into investing in one. Our late lunch was at Lutyens Cocktail Bar, and in the basement below the restaurant Yolanda purchased a meter of silk paisley print.
In addition to Bob spotting and photographing a common myna bird, Yolanda purchased a blue camel puppet at the craft stalls outside the National Handicrafts & Handlooms Museum, and we again remarked on the wild dog population. Inside, the displays were numerous and an interior chamber contained an old draw loom, and an equally elderly gentleman. Yolanda enjoyed a visit with the ancient curator and walked in the galleries with him to look at and talk about sari lengths, double Ikat and the brocades - a few of which he had designed.
This elder has travelled the world with his looms and textiles and was happy to have spoken with Yolanda and he commented that he had never had a visitor who was so knowledgeable about Indian textile production. Outside again, the sleeping male dog remained still and the emaciated mother dog with her belly full for her babies was pacing anxiously seeking the scattered pups. We ended our day reading travel guide books for gems we hope to not miss. We are meeting Shanoo at 9:00am tomorrow.
Our walk netted a few of the songsters (Yo spotting; Bob shooting), including black kites, a trio of rose-ringed parakeets, a canary yellowyish bird, a few skittish red-whiskered bulbuls, and a weensy other pair. Shanoo took us to a step well, a Kashmir carpet outlet, Lutyens restaurant and the Handloom Museum, which Bob had found on-line and which was new to Shanoo.
The step well, Agrasen Ki Baoli, was a previous royal summertime living quarters dug deep into the earth below the water table (now dry due to hydro power diversions above Delhi). In past times the lower levels of stairs were submerged; the deeper levels were exposed but still cool in the hot, dry season. While the carpets were intricate, expertly crafted and beautiful, we were not in the market to buy one nor swayed to enter into investing in one. Our late lunch was at Lutyens Cocktail Bar, and in the basement below the restaurant Yolanda purchased a meter of silk paisley print.
This elder has travelled the world with his looms and textiles and was happy to have spoken with Yolanda and he commented that he had never had a visitor who was so knowledgeable about Indian textile production. Outside again, the sleeping male dog remained still and the emaciated mother dog with her belly full for her babies was pacing anxiously seeking the scattered pups. We ended our day reading travel guide books for gems we hope to not miss. We are meeting Shanoo at 9:00am tomorrow.
India 01a
An electrical fire scent in arrivals at Delhi International, burning plastic and wire, was somewhat disconcerting until we remembered reading about how we would find our senses frequently deciphering what we would be taking in. The burning odour was Delhi smog. Our flight was perfect with enough sleep (ear plugs), tasty Indian curry, and enough room for our long legs (we opted to seat mid-ship on our flight East so we could adjust into our India experience without feeling exhausted). We were met by a hotel driver and hotel airport representative who were both very friendly and professional, and sharply dressed. The Taj Palace New Delhi hotel had an armed security gate as well as a baggage and guest screening process similar to the security gate at Victoria International airport, only more ammunition. Our driver ushered us to a team of hotel staff, including our lovely, exquisitely saried, personal check-in clerk who escorted us to our 6th floor, gorgeous room (dollars do go a lot further here!) for our orientation and offer of a welcome beverage (we chose chamomile tea). It was about 2:30am and we were meeting our "ToursByLocals" guide at noon the next day, so we snuggled off to sleep with a timer set for 8:00am, our next scheduled malaria pill.
Tuesday, February 21, 2017
Wells, BC is the place to be for a wintry week or long week-end (February 17 - 20, 2017, in our case). Turning East from spotty snow in Quesnel and driving through a series of increasingly snowy valley-ways ended in the Westerly Rocky foothills and puffy fluffs of billowy meringue frosted evergreens and sparkly frosted fields by Wells' frozen lake.
Dave & Cheryl's red Mountain Thyme Guesthouse was perfect for our three-part family gathering of eight: niece Theodora (Nektarios, Alexandros-5, and Nikolas-3) in the main level family room with en-suite shower; brother Rick (Maureen) in the upstairs Queen bedroom; and us on the mezzanine trundle bed (Yolanda in "the drawer", as she would show the boys when they went upstairs together to do some drawing and colouring on a few occasions). The cabin also had a sitting area, kitchen, and upstairs w/c with a tub. Still dressed for Christmas, it was a joyful place to be. We arrived Friday at about 6:30 pm, Yolanda from PG with Theodora, Nektarios & the boys, and Bob from PoCo with Rick & Maureen.
We ate late together and had fun with and enjoyed Theodora's two birthday cakes, which Alexandro's decorated with "happy birthday", and we chatted a bit before tucking in.
Saturday was the 2017 Wells International Gourmet Ski Tour (WIGST, with four tasty tapas stops: Ukraine, Basque, India and Portugal this year). Bob, Yolanda, Rick and Maureen were out ski touring for about 3 hours and Theodora, Nektarios, Alexandro's and Nikolas went into Barkerville with their snowshoes and a pic-nic. For Yolanda and Bob, this was their third visit to this event where some tour in costumes.

Once we were together again, Yolanda, Theodora and the boys headed out with snow shoes and the sled until dinner time. While dinner was set, Yolanda and the boys headed up to the mezzanine with pop-corn to draw and colour, and take a look at the drawer bed. Our rib and Moroccan chickpea stew prepared by Dave & Cheryl at their restaurant Bear's Paw was fantastic and we cleaned up quickly afterwards as there was the Extreme Mountain Sport Film Festival organized by Dave. Yolanda and Theodora stayed with the sleeping darling boys and had a really nice visit while the others went to the festival. Sunday was a great day for connecting with the locals. After a family walk/snowshoe in the fields below Wells, we made a pic-nic lunch at the cabin and then said our good-byes to the PG crew.
Bob, Yolanda, Rick and Maureen visited Barkerville on cross country skis and then headed to Wells to find a nice coffee, and we did, at Bill Horn & Clair K's studio. While enjoying their stories and sharing other stories, Bill made a call to Tim & Kate to connect us for a visit. At Tim & Kate's we shared stories about bike blogs and bread baking and purchased scarves from the 2016 WIGST for making into hats, similar to the one Yolanda made for Bob from his 2008 scarf.
Arriving back at the cabin, and a pop-in to Frog-on-the-Bog gift shop to order more pottery bowls, we encountered Dave & Cheryl preparing a group meal at the Bear's Paw and they accepted our invitation to drop by for an Oban after their guests were gone. Scrabble and Bird Bingo were our entertainment and we had a good visit with an interesting connection as Rick was reading a flagged spot in his new book purchased earlier that day in Barkerville and the article contribution was written by Dave's daughter Mica! We fit in a last ski in the morning before we started our drive at 11:30 am to PoCo. Rick kept us safe, including in a section of blinding snow on the Coquilhala, and we arrived in PoCo at 9:30 pm.
Dave & Cheryl's red Mountain Thyme Guesthouse was perfect for our three-part family gathering of eight: niece Theodora (Nektarios, Alexandros-5, and Nikolas-3) in the main level family room with en-suite shower; brother Rick (Maureen) in the upstairs Queen bedroom; and us on the mezzanine trundle bed (Yolanda in "the drawer", as she would show the boys when they went upstairs together to do some drawing and colouring on a few occasions). The cabin also had a sitting area, kitchen, and upstairs w/c with a tub. Still dressed for Christmas, it was a joyful place to be. We arrived Friday at about 6:30 pm, Yolanda from PG with Theodora, Nektarios & the boys, and Bob from PoCo with Rick & Maureen.
We ate late together and had fun with and enjoyed Theodora's two birthday cakes, which Alexandro's decorated with "happy birthday", and we chatted a bit before tucking in.

Saturday was the 2017 Wells International Gourmet Ski Tour (WIGST, with four tasty tapas stops: Ukraine, Basque, India and Portugal this year). Bob, Yolanda, Rick and Maureen were out ski touring for about 3 hours and Theodora, Nektarios, Alexandro's and Nikolas went into Barkerville with their snowshoes and a pic-nic. For Yolanda and Bob, this was their third visit to this event where some tour in costumes.


Once we were together again, Yolanda, Theodora and the boys headed out with snow shoes and the sled until dinner time. While dinner was set, Yolanda and the boys headed up to the mezzanine with pop-corn to draw and colour, and take a look at the drawer bed. Our rib and Moroccan chickpea stew prepared by Dave & Cheryl at their restaurant Bear's Paw was fantastic and we cleaned up quickly afterwards as there was the Extreme Mountain Sport Film Festival organized by Dave. Yolanda and Theodora stayed with the sleeping darling boys and had a really nice visit while the others went to the festival. Sunday was a great day for connecting with the locals. After a family walk/snowshoe in the fields below Wells, we made a pic-nic lunch at the cabin and then said our good-byes to the PG crew.

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